Western Music? Yay or Nay? Definitely Yay.

Lesson Learned: Iranians are giving various types of music a chance, thinking artistically to how they can intergrade other genres to automatically give it a new flare. It’s a nice change to see Iranians excited about music, even with government constantly on their backs. 

Description:

  In this journal article, the author Lawrence Van Gender gives insight to how It’s rare that Iranians are giving Western music a chance. However, they responded enthusiastically to a live performance in Tehran, by the 60-member Osnabruck Symphony Orchestra of Germany. In respect to Iranian law, its female musicians wore headscarves. A young musician named Sharokh Pourmaymin stated, “It was wonderful,” after the orchestra performed Beethoven’s “Leonore” Overture No. 3. Elgar’s Cello Concerto and Brahms’s Fourth Symphony. “I wish it could be repeated with other kinds of music, such as jazz, blues and rock”. Performances of Western music have been rare since the revolution in 1979, and also since the banning in 2005 by President Mahmoud Ahmadinejad to even play it on state radio. Even though last weeks concert received little press coverage, the Osnabruck conductor said that last week’s appearance was so successful, he would play host to a similar even next year as well! (Gelder 1)

Evaluation: 

       Throughout their strenuous struggle with government, Iranians are finally looking outside the box in regards to music. They are enjoying Western music, giving it a chance instead of shutting it down right on the stop. Not only are they enthusiastic about viewing live performance from different musical groups around the world, they are excited about involving other instruments or vocals from jazz, blues and rock. Iranians have made it far for a country whose government wants to hinder their musical abilities to fit under their censorship and rules. I found this article very uplifting, making me feel as though Iranians are taking minor steps in regards to accepting a variety of music, even when some aren’t their absolute favorite. I wish the article was longer, including information about the views of the government pertaining to this performance. Nonetheless, I enjoyed reading this article and the new enthusiasm of young Iranians. 

Citation: 

APA: LAWRENCE VAN, G. (2007, September 3). ARTS, BRIEFLY; Western Orchestra performs In Iran. New York Times. p. 2.

MLA: LAWRENCE VAN, GELDER. "ARTS, BRIEFLY; Western Orchestra performs In Iran." New York Times 03 Sept. 2007: 2. Academic Search Complete. Web. 10 Dec. 2011.

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Choo Choo! The 'A' Train is Coming Through!

Lesson Learned: Iranian’s are continuing to stand tall, despite the fact the the government is not planning to step down from their absurd demands anytime soon. Instead of just sit around, Iranian’s are making names for themselves in other parts of the world. Something that most people are too scared to do. They are looking it at a new chapter in their lives, a chapter that could either make them or break them. Why not take a chance? 

Description:

     In this article written by Nat Hentoff, he tells how he was contacted through email by someone by the name of Ehsan,who he didn’t know, wanting him to call him once he received the message. The individual had found his books in a private library in Iran, and found out how to contact him through Facebook. He wanted his permission to translate and publish his book into Persian, the two books being “Jazz: New Perspectives on the History of Jazz,” and last year “At the Jazz Band ball: Sixty Years on the Jazz Scene,” which he had just published. With enthusiasm, Hentoff assented both requests. However, like Ehsan had predicted, Iran’s censors forbid publication of the first book and when he found a copy of the second, he printed it out without letting the censors know. Ehsan, a 29 year old young Iranian man, is of Iranian dissident and jazz aficionado. His blog, “Take the ‘A’ Train,” is dedicated to spreading jazz gospel as a voice of freedom, which is hard to do in his native country where certain types of music and arts are forbidden. The contact between himself and Mr. Khoshbakht’s has bloomed into continuing internet and telephone conversations over the years. Since then, he has noticed how determined this young man has become pertaining to being a member of what he calls “the jazz family,” even under such a strict dictatorship. He named his blog after the famous Duke Ellington, stating “I love Duke, and I see jazz as that train. Living in Iran, the only notion I had of freedom was listening to these jazz people, especially Duke Ellington.” Ehsan makes it known that he has read passages of his books, and plays music from all the people that he writes about. Khoshbakht discovered jazz when he came across a compilation cassette. “What changed my life was Louis Armstrong...” he exclaimed. Jazz become his religion, it was a way of escaping realities of the outside world for him. Instead of continuing a job in architecture and urban design, he went to become a full time jazz aficionado. Since the blackout of “Western values” in Iran, he has wrote articles for newspapers and magazines on jazz, as well as making his own radio programs, allowing people to download them. Five months ago, Mr. Khoshbakht has left Iran, and has moved to London where he is now engaging in films studies but also keeping up with his blog. He arrived knowing nobody, but with the help of friends, a local bass player invited him to one of his gigs, in hopes of introducing him to several other musicians. He is continuing with his life long dream, letting nothing or no one get in his way. (Hentoff 1)

Evaluation: 

     This article was a kind of hard article to follow, jumping from one thing to the next. I had to read the article over several times to fully understand some sentences. Other than that, I found the article very interesting. I personally enjoyed how the article opened up with how Mr. Khoshbakht contacted the author all the way from Iran, just with the help of Facebook. It’s amazing how determined he was to get his voice heard whatever way possible! Like other articles I have read, the Iranian youth continues to not let the government control their futures. Like Khoshnbakht, they are leaving Iran to start a better life, not constricted and banned from doing what they please. I love stories like these, making me so thankful to be able to live in an area where I have the freedom to do the simplest things, which sometimes I take for granted. If you want to read a story that’s inspirational, this is the article for you!

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They Are Not Gonna Stop Us..

Lesson Learned: Young artists in Iran are still feeling the rathe of government. However, they are continuing to show that they are going to continue to thrive. Music is their life, and they are willing to risk it all. 

Description: 

     In this journal article written by Colin Meyn, members of the alternative rock band O-hum appeared at a rock concert in Tehran, Iran. They wore jeans and t-shirts, rocking out with their mop tops. The lead singer may his way around with his bright red guitar, as young girls screamed and boys climbed to the stage to body surf the crowd. Hundreds of Iranians packed the Russian Orthodox Church, a site that it not government controlled, to hear O-hums Persian Rock. Their rock involves a blend of Western and Iranian music that their lead singer and guitarist co-created. O-hums songs involve lyrics of Hafez, a 17th century Persian Poet, adding soft Middle Eastern string instruments, drum beats and electric guitar, making this music distinctly hard rock and roll. O-hum, which means “illusions”, was the forefront of the Iranian underground scene, building a voice that went against Iranian government censorship. A concert which was held in 2001 in Iran, is one of 0-hum’s first and last. Amir Hamz, who is of Iranian descent, has recently involved O-hum and seven other Iranian groups in his documentary, Sounds of Silence. This film, which was shot in 2004, has been screening at international festivals for the past year. In his film, he features artists who have turned to the internet to distribute the music that Ayatollah Khomeini banned in 1979, stating “It destroys our youth who become poisoned by it.” Despite his word, the government didn’t begin cracking down until 2001 as bands like O-hum found their success.  Since the revolution, artist have struggled to find their way. These restrains have caused artists and bands to break apart. “I agree that nobody could waste his time and energy with something so unsure and unstable,” lead singer Sharbaf stated. Nonetheless, Iran’s underground music scene has more followers than ever. Performers are performing on a new stage: the internet. In the upper middle class areas such as northern Tehran, the indy and electronic rock scenes have attracted young audience. They resorted to creating websites, blogs, as well as turning to sites like Youtube and Myspace. This is great for a country who is web savvy. Once the government tightened its grip on the internet, that’s when the country’s art became to bloom, gaining more international attention, allowing the artists and activists to thrive. Artists are preserving Iran’s culture by exploring the past to help the present and plan for the future. Namjoo, another artist stated, “The future is connected to the present. By writing, playing and composing songs, by recording and performing them in public, we make that future.” (Meyn 1)

Evaluation:

      This journal article tells the reader about the band O-hum, exhuming their story so that outsiders can easily see what is going on. The author takes the reader step by step as to what O-hum was then in their popular stage, and what they are now since the crack down on music by government. Other groups besides O-hum are still continuing to do what they love, keeping a positive attitude despite the negativity going on around them. Even though several groups are breaking apart due to frustration and unstableness, many artists are using this criticism to help them grow by branching out to  blogs, furthering their efforts involving the internet, and using other websites like Youtube and Myspace to attract a young audience. They are thriving for the future, one step at a time. 

Citation:
MLA: Colin Meyn. "Rocking Lolita in Tehran." In These Times 32.1 (2008): 41. Print.
APA: Colin Meyn. (2008). Rocking lolita in tehran. In these Times,32(1), 41.
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Rap Saves the Day!

Lesson Learned: People all around the world go through hardships everyday of their lives. However, instead of dealing with their problems in a negative way, they are using music as a positive reinforcement to help them coup with their problems. 

Description: 

     In this journal article, Soroush Lashkari, the god father of Iranian rap, try to meet with his fan whenever he can. Whether its on the streets, park, and even in a studio if he can find one. He performs under the name of Hichkas, meaning “nobody”.

Some say that his outer appearance makes him look more like a religious zealot than an icon. His attire consists of a conventional dress and black beard, basically making him blend in with his surroundings. He began his journey with rap music by initially listening to rap music on satellite TV about 5 years ago, and along with some guidance of his friends, he has started recording his own songs. To get his songs out to the public, he started asking passers-by: “Have you listened to Farsi rap?”. Selling about 20 CDs a day was start, but now you can find his music through websites and even Bluetooth phones. He believes Iranian rap has a promising future, hoping to have a concert abroad in the United States someday. Hichkas is still trying to persuade studios to let him perform, but his popularity is keeping him motivated to strive for more. At 22 years old, he is forced to keep a low profile after Iranian government launched a campaign against rap music. Recently his band members have been sent to jail, and when released were warned to stop their music because it offends the conservative structure of society. Even though Hichkas doesn’t use swear words, he does in fact talk about social injustice, gap between rich and poor, street fighting and international pressure on Iran pertaining to the nuclear program. In one of his songs called “The Law”, he states: “It’s tough on the street.. the weak die.. the strong remain aloof.. open your eyes and let me explain the law.. We live in a police state where the constitution is trampled upon. Let me should that I’m the victim of this Jungle!.. Don’t handcuff me!”. Hichkas himself has spent much of his time with some of the violent street gangs, but explains that he has never used drugs to help warn young about the dangers of life on the streets. He doesn’t plan on talking about involvement in the street due to the fact that one of his friends, a fellow rapper, has gone through it. Hichkas is taking a better path in life, and instead of fighting out on the streets, he is dealing with is problems by rapping. (Bozorgmehr 1)

Evaluation: 

     This article has to be one of the most inspiring pieces I have read. The author navigates the reader through the life of a Iranian rapper, trying to make it big by starting out small and working his way up. His story touches a soft spot, taking your emotions for a ride. He exhumes his struggles by basically having to hide from Iranian government eager to put an end to his love, rap music. The sources in this article make it easy for the reader to determine what this article is all about, and how the love of music continues to thrive in the souls of the Iranian youth. Hichkas is an authentic artists, using music to paint a picture of what is going on throughout his life. It’s amazing how music allows individuals to express themselves but still make them differ from other artist around the world at the same time. 

Citation:  
MLA: in Tehran, By Najmeh Bozorgmehr. "Iranian Rappers Serenade the Sound of Sirens." FT.com (2008): 1. Print.
APA: in Tehran, B. N. B. (2008). Iranian rappers serenade the sound of sirens. FT.Com, , 1.
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The Internet Can Change Anything, Even The Life of An Iranian.

Lesson learned: The little things Americans sometimes take for granted, are shining a light on the younger generations around the world. 

Description:

      This article exhumes the amazing story involving Amir Amiri, 22, who has liberated the musical ambitions of young Iranians in ways he could of never imagined. He left the strict Islamic nation, picking up his belongs and relocating to Canada. “Canada is kind of a heaven for me. My whole life I wanted to be a my musician” Amiri explained after leaving Iran that summer. A chance only the Internet involving the Banff Centre could fulfill. In the last six months, he has had a successful session at the centre, fusing with artists from around the world, which he hopes will lead to a CD release. In his time here, he has also learned the various complexities of English and wester musical notations. Amiri plans on applying for the refugee hearings this summer so he doesn’t have to travel back to his homeland of Iran, where strict rules are put on citizens who want to play music and not just sing it. The centre director, Isobel Rolston, calls Amiri’s music “groundbreaking”, and exhumes that he “fits in perfectly”. Other directors exhume that it’s not uncommon for artist to come there and make a new life, drawing an average of 2,000 artists, actors and musicians from up to 60 countries. Once arriving in Banff, Amiri played his instrument for two days and nights, savoring his new musical freedom. Amiri continues to make his mark in the music industry by making his debut through the city parks and recreation areas, involving instruments which he could of never experienced if he still lived in Iran. (Marshall 1)

Evaluation: 

     This felt as though this website article adding a great touch of introducing a new artist to the reader, telling them of his start and where his life is going after leaving Iran. I know it’s sort of like every other article, explaining how a young Iranian is finally getting the chance to explore the world outside of the sheltered walls of Iran, but this article is different. In my opinion it was a good article, easy to reader and sort of inspiring if I was a someone in a different country not able to musical freedoms as Amiri now that he has moved to Canada. It shows that hope is still there for Iranian that are still skeptical able leaving Iran, in hopes of finding what they have been searching for. 

Citation:
MLA: Andy Marshall, Calgary H. "Internet Opened Doors for Iranian Musician: FINAL Edition." Calgary Herald: B.6. Print. 1997.
APA: Andy Marshall, C. H. (1997, Internet opened doors for iranian musician: FINAL edition. Calgary Herald, pp. B.6.
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"Silent City"... Is It Really That Silent?

Lesson Learned: Iranian’s are making it known that they can be just as creative as other artists around the world. Releasing discs displaying their work is just the beginning. 

Description:

     This article escapes to a small Kurdish village in which was annihilated by Saddam hussein, where the kamancheh or an upright four-stringed Persian fiddle, breaks out in the song “Silent City”. The song which is based on a traditional turkish melody commemorating Halabjah is now included on a new disc. It introduces murmuring strings that symbolize the swirling dust of the barren ruins, along with a Kurdish melody resembling the rebuilding of the destroyed village. The sound of the kamanchech is “warm and very close to the human voice” exclaimed Kalhor, a virtuous kamancheh player who’s recorded playing on the album. Kalhor began his journey involving music at a young age. At 7, he started studying the kamancheh and by the age of 13, he was playing in Iran’s National Orchestra of Radio and Television. He explains that his reason for leaving Iran was not for political reasons; it was to further his musical studies. “Silent City” is eight years of learning and experimenting. In the end, he couldn’t believe that he recorded this song with the help of the members of the Brooklyn Riders, coming together to make their dreams come true, adapting their music styles to different tones and modes common in Middle Eastern music. Kalhor believes that sometimes it’s obvious when performers really don’t know each other, hoping to stray away from that approach. Sometimes it’s inevitable when he performs with other Iranian singers like Muhammad Reza Shajarian, getting asked questions about politics, the president, government and anything else under the sun. Kalhor sticks with what he knows, traditional Persian melodies, also involving other instruments such as the setar (Iranian lute), violins, santur and even percussion heard throughout this new disc. Music still thrives on for Iranians. This time with an added flair. (Schweitzer 1)

Evaluation: 
     This article had some good points and bad points. The bad points were that it rambled on pertaining to the different songs on the disc, not giving the article the needed boost to really grasp the readers attention. I understand the reasons for the author wanting to display the songs on the new disc, but sometimes that information is not needed and can make it a tad boring. However,  the good points were that it gave information about kamamncheh player, Kayhan Kalhor and his experiences pertaining to leaving Iran and experimentation with music. He sets people straight who constantly believe his reason for leaving Iran is due to politics. They are wrong. It is known that Kalhor left Iran so that he can become the musician he has always dreamed of, just like other Iranians who have the same dream but are too afraid. Nonetheless, this article could of been better, but it did justice on exhuming the various instruments on the disc, which listeners could look forward if they decided to listen to the songs listed.


Citation: 
MLA: Vivien Schweitzer. "A Master Iranian Musician Plays Cultural Ambassador: The Arts/Cultural Desk." New York Times: E.3. Print. 2008.
APA:Vivien Schweitzer. (2008, A master iranian musician plays cultural ambassador: The Arts/Cultural desk. New York Times,pp. E.3.

“No Way” Says Mohammad Reza Shajarian. Maybe a Sign For The Future.

Lesson Learned: When you think of Iranian artist, you think of artist who still want to create music despite the disapproval. As we continue in this battle between musicians and government, we see that musicians are losing hope and becoming fearful of what’s to happen next. Even though times seem tough, Iranian’s are continuing to do what they do best and love - play music. 

Description: 

     This newspaper article written by Rachel Lee Harris, tells a story about a popular Iranian singer named Mohammad Reza Shajarian, who sings traditional Persian music, and his efforts to make state radio and television to stop broadcasting his work (Harris 1). Weird right? The press reported that Shajarian threatened to file a complaint against them if they continued to use his music stating “No way”. Government has been responding to several artist’s by banning their work, and in some circumstances detaining and forbidding them to travel. Iranian artist’s continue to boycott state-sponsored awards, and appear wearing green, the color of opposition. Many have sought asylums out of fear of repercussions after releasing their work, some inspiring human rights violations which appear through Iran on a daily basis, just like Mehdi Kalhor. (Harris 1)

Evaluation: 

     I personally found this article to have not as much information in it as other articles I have read. Yes, it gives new information that I haven’t heard of before, but it doesn’t go in depth. I would of like this article to tell the reader more about Mohammed Reza Sharjarian. Instead, the author only gives your tiny bits and pieces of information. On a brighter note, I enjoyed the ending of the article the most, due to the fact that it adds a different tone unlike any others. It tells the reader that some artists are becoming scared of what the government has to offer in regards to musicians who believe they cannot be stopped. Take for instance Mehdi Kalhor, who has sought an asylum as a way out of getting reprimanded by the government for publishing songs that violate what officials believe Iran stands for. However, it is a strange thing to see artists who don’t want their music to be planned after hearing a dozen who don’t care what the government has to say. Is this a new wave of fear going to last? We shall see. 

Citation: 
MLA: Rachel Lee Harris. "Iranian Musician Declares His Protest: Brief." New York Times: C.2. Print. 2009.
APA: Rachel Lee Harris. (2009, Iranian musician declares his protest: Brief. New York Times, pp. C.2.

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Government approves of Alireza Assar? What’s the catch?

One of Alireza Assar's Songs.. Take a listen!

Description: 

     This journal article from the Wall Street Journal written by Daniel Pearl, enlightens the reader on Iranian pop singer Alireza Assar, who can be found practicing his music in a basement studio in Tehran, Iran. He not only is in the process of creating a rock ballad with his crew, but his lyrics “We should find love in rain,” is accepted by political hard-liners even with women voices taking up the song as it proceeds. Crazy right? However, it’s not crazy at all. Conservatives sponsor Mr. Assar, owning his recording studio, promote his concerts and approve each one of his songs before they are released. Pop music, which was prohibited for most of the Islamic Republic has made a comeback but like usual this nation’s leaders are doing all they can to prevent change. Instead of complaining about the events unfolding within Iran, leaders have come up with a strategy championing the new home-grown pop, hopefully will pre-empt the unruly Western variety. Music is everywhere in Iran, featuring a guitar shown on TV, a book of translated lyrics of Pink Floyd appearing in bookstores and local bands that are heard throughout the country. “Music has always been in the service” says Fouad Hejazi, Assar composer. In reality, all the government wants is to fight against the cultural invasion of the West, shutting down newspapers and stopping the installation of a new Parliament. What’s their next plan? Artists and people everywhere are continuing to blast music from Madonna and Micheal Jackson from car stereos and artists in exile are still recording. All this music seeps into Iran by cassettes, hidden satellite dishes and the internet. Music cannot be stopped. Iranian officials just have to accept it, but will they? (Pearl 1)

Evaluation: 

  I found this article very interesting since every article I have found before this, government has disapproved of everything involving music. It’s amazing how one artist has changed that around, making government accept and be apart of of the whole music process. It’s not everyday you read about someone so highly regarded in the over protective country of Iran. I like how the author inserted quotes from Assar’s songs and showed how Iran is continuing to allow music to be apart of their lives, even if it is controlled and not yet legal to citizens. The article is easy to read and allows the reader to understand the wave of events that are making their way to the light, again watching as Iran takes small steps to a hopefully bigger change. The reader can easily see that with whatever the government throws at the people in Iran, they are fighting back with an equal force, continuing to listen to music illegally and blasting songs for all to hear. 

NO MEN ALLOWED

Lesson Learned: Just as we see Iran making progress with their music policies, Women are also getting a chance to be in the spotlight. This is something that is rare for Iranian women who are directed to have no say in anything, especially music.

Description:

     This article by Rachel May, gives the reader a glimpse inside the life of Sultana Banu, following through when she first began to sing a child, to now as an adult with a live audience at livestock, not in work clothes but in a red tunic and burgundy skirt singing to thousands of Tehrani women at the First Music Festival of Iran’s Regional women. This festival marks the expansion of artistic opportunities in iran, where beforehand, performances were controlled due to controversial issues, along with several genres that are still banned to this day. This folk festival celebrates Women’s day in Iran, demonstrating a concern for women’s full participation in Iranian society. Women in an Iranian society are responsible for a huge share of music-playing, however not receiving much attention. This festival allows to still pay attention to their limits but preserve their culture and customs. The only downside is that these women cannot play in the presence of a man, having all mean leave the area if a women is singing in a solo performance. Many believe that these restrictions on women bring doubt to these festivals and their efforts to celebrate women. Some have different opinions based on the idea that these festivals are only allowed to prove to the rest of the world that Iranian women don’t have any problems, losing sight of what the festival is supposed to stand for. Times are still tough, but women are beginning to make their mark in the Iranian world. Their bootleg CDs are blaring from inside taxis, but that’s not enough for a country always in battle with the government. (May 1)

Evaluation:

      I personally enjoyed this article due to the fact that women are finally coming into play in Iran. Yes I still believe that they have a long strenuous road ahead of them before things start to get increasingly better, but it’s a start. I like how the author just focuses on the women, showing their advances and even using real individuals who are struggling with having their voice heard through music. It’s just an amazing thing to see that the women are getting a chance to perform, even though men aren’t allowed to watch. The Iranian Music Festival is the bright light at the end of the dark tunnel for women in Iran. It is easy to see that times are still hard, but women are taking a stand and accepting what they can get for their musical freedom.

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The Band Queen Saves Iranians. Small Steps in the Right Direction

Lesson Learned: Iran’s disapproval of such a wide range of music has brought them back to where they were in beginning. Officials cannot take away the one freedom Iranians want, their music. 

Description:

     This newspaper article by the Herald News Service, unfolds that Queen, a classical rock band, is first to receive a stamp of approval from Iran. However, the only problem is that Freddy Mercury, a gay band member, hits a tough spot for a country who strongly believes being gay is a crime. Despite Mercury’s decision for being gay, he was also very proud of his Iranian ancestry, making Queen one of the most popular bands in Iran, having their albums and singles bootlegged by many living in the country eager to ban music. Songs on the album include The Miracle and I Want to Break Free, a numerous amount of queens love songs, and the country’s favorite Bohemian Rhapsody. An album only costing a dollar including such great songs and translated lyrics, what could be better? Iranians mostly enjoy the story being Bohemian Rhapsody, telling the story of a boy accidentally killing someone and deciding to sell his soul to the devil, calling God in Arabic “Bismillah,” regaining his soul from Satan. A bookstore salesman exhumes that “It is the first rock album to hit the market legally, and people are surprised and pleased to see that it also has lyrics, not just the music”. Queen is not the only band whose work has been released on the Iranian market, other artists include Elton John, Julio Iglesias, The Gipsy Kings and many others. How can a country resist with such high demands of music, where 70 percent of the population is under 30? (Calgary Herald 1)

Evaluation: 

     This article does a wonderful job of allowing the reader to clearly see that Iran is taking the minor steps needed to help make a decision regarding music, hopefully one day allowing their citizens to experience music on another level. Queen is brought into the picture, a well known band that everyone has heard of, touching the lives of Iranians through their lyrics, being the first band to have their album released legally in a country so harsh with their music policies. It shows a huge step for Iran, allowing their people to have music at their fingertips and not illegally downloaded in the privacy of their own homes, hoping to not get caught and penalized for wanting to have the freedom to listen to whatever they desire. I like how the article gets right to the point with sources that are easily understood. I even learned a new piece of information about  Mercury in regards to his Iranian ancestry. It’s a nice change to see Iran moving in the right direction. You know what they say, time is of the essence. 

Citation:
MLA: "Iran Endorses Rock Band: Final Edition." Calgary Herald: E.2. Print. 2004.
APA: Iran endorses rock band: Final edition. (2004, Calgary Herald,pp. E.2.

A Special Thanks to the Iranian Revolution....

Lesson Learned: Music can change as years progress, altering itself to fit an era .

Description: 

     In this website article by Charles Lenchner, Music in Iran has changed since the revolution and since the fall of Shah, the changes not formulated in other forms of music like rock or rap, but instead just a revitalization of Iran’s classical Persian tradition. 

the fall of Shah

Musical groups thriving in Iran, altered the way that players of Persian music viewed the world around them and related to their audience. These “modern” performers chose lyrics of contemporary poets, projecting styles of impatience and idealism. 

"underground" musicians in Iran

Other artists some being defined as “underground”, made sure that their music stayed clear of the mainstream, defied the demands of the market, making sure to capture the energy of listeners while staying true to the spirit of the day and age. Even though there has been minor changes to the music of Iran, these changes are rooted deep in the traditions of Persian music, the traditional music of Iran, and not in the imported forms that observers write about. ( Lenchner 1)

Evaluation: 
     This article allows the reader to interpret for themselves the wave of changing music that is happening throughout Iran. Even though the article is short, it gives good details as to how Iran has changed throughout the years pertaining to music. Some may not understand why a county so judgmental of other various types, doesn’t just stick with what they are comfortable with, not altering it in any way shape or form. The answer is not that easy since Iran is a country known for its growing youth population. However, I like how this article dives right to the point as to why Iranians are deciding to experiment differently with Persian music, involving factors such as audience, view of the world around them, and capturing the energy of listeners within the country. It sets any myths that the reader has exhumed beforehand straight, letting them know that Iran hasn’t changed by involving rock and rap, but rather altered how they view traditional music and taking some additional steps that in the end only benefit the music that is being played. Iran doesn’t want to lose its roots but rather branch out within the shelters walls of Iran, trying to accommodate each citizen and their musical interests. 




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Classical to Pop, Good or Bad? Iran’s Choice.

Lesson Learned:

      Restrictions on music in Iran is not stoping the younger generation for doing what they adore most, experiencing different genres of music exhuming throughout with whatever way possible. Nothing will stop people who are driven by music. 

Description:

     This website article written by Jos Schring made it clear that after the Iranian revolution, classical music still remained. However, as times have changed, pop music has made its way through Iran, eager to change those that are less familiar with it.

Scene from No one knows about Persian Cats

No one knows about Persian Cats by Bahman Ghobadi enlightens those who are unaware of how pop music is viewed through the eyes of Iranians, exhuming lines throughout the play asking “Do you like Indy Rock?” and getting answers along the lines of “Yes, I love 50 Cent and Madonna”. This isn’t strange , since pop music is forbidden within Iran. How will you ban pop music in a country where half the population is under 30?” The answer is tricky. Iran is not stoping in their efforts to continue to fight for their rights pertaining to music, practicing in basements, rooftops, underground and basically anywhere possible. You would expect a ruler to accept some music, understanding that his people are suffering. Nonetheless, even smooth sounding songs involving guitars, have no chance in the eyes of Ahmadinejad. Many bands see their future blossoming within the music industry, willing to relocate to different areas, fulfilling their dreams to perform abroad, even getting the chance to travel with Ghobadi as he promotes his film. Others not ready or dangerous enough to leave Iran, continue to play music in their basements and place their music on the internet for all to hear. Not only are the people suffering, but individuals partaking in films that give insight to events happening in Iran are also putting their lives in danger for going against government orders. (Schring 1) 

Evaluation: 

     This article was a very interesting article, in the fact that it gave information pertaining to films that give a glimpse inside the lives of Iranians, played by actors. It’s amazing that even actors are risking their lives to do what they love, taking along others who want to move and follow their dreams without government hinderance. It touches on a different base that several other articles have not yet touched on, allowing the reader to see that films are coming out to show how pop music is continuing to make its way to listeners and artists throughout Iran, and learning first hand on how pop music is effecting those that are familiar with it and those that don’t even know what pop music is just yet. The determination among Iranian’s is still thriving, not allowing government bans to hinder their plans for the future. 

Citation:

      Schring, Jos. “Pop music from Iran: both ordinary and unusual”. The Power of Culture. April 2010. Web. 12 Nov 2011. 


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What’s So Wrong With Music Anyway?

Lesson Learned: 

     People cannot live without the presence of music in their lives. Music plays a huge part in an individual’s everyday life, and restricting it with laws only effects the individual in a negative way. The Iranian government believes this is going to benefit the population in the end, not realizing that putting restrictions on the public is only hindering their process. 

Description:

     This website article written by Max Fisher, gets to the root of why Iranian Leader, Ali Khamenei feels so strongly against music in Iran. Off the bat, Khamenei declares he believes that music is not compatible with his western cultural influence and makes it known that his decisions aren’t primarily based on his dislike for music in the first place, but that music distracts citizens for political and economic concerns (Fisher 1). This ruling is acceptable by Islam but forbids the promoting and teachings of music, making many confused on how to interpret Khamenei’s orders on what is allowed in Iran and what isn’t, basically changing every week. These new orders aren’t something unfamiliar to citizens in Iran, instead they are used to theses tactics by government since the same steps were taken regarding the clothing requirement for women not to long ago. Iranians know that when authorities feel threatened by popular or political pressure, they respond by changing rules of dress or tightening down on enforcement, ultimately ending in confusion among civilians questioning the governments motives. So what is next for these Iranians? Everyday life involving music will become consumed by regulations involving long term solutions hated by many. Khamenei sees his tactic as a “valve”, loosening it if the public becomes too angry, reducing tension or in some cases stop the restrictions as a whole. In the end, Khamenei feels he is liberalizing and softening the police state, without losing his grip on all aspects of Iran’s government and economy (Fisher 1). Nothing is yet set in stone, but only time will tell. (Fisher 1)

Evaluation: 

     This article supplies a descent amount of information pertaining to what is generally happening in Iran, not diving too in depth of specific details. This article would be great for a reader only looking for a quick summary of what was happening in Iran pertaining to the rules and regulations set on them in regards to music. On the bright side, the author gives some information pertaining to the ruler and the reasons why he has put a harness on music and how he feels it is effecting the younger generation of Iran. Adding the ruler in the article gives the reader another perspective to look at, rather than from a protestor, artist or bystander’s point of view, only seeing the rules being applied to them as horrible. Besides another perspective to see the events that are exhuming in Iran, this article is mediocre in regards to other articles on the web. 

Citation: 

     Fisher, Max. “Why Khamenei Wants to Restrict Music in Iran”. The Atlantic Monthly Group. 3 Aug 2011. 12 Nov 2011.

Iranian Rock Band Fulfills Their Dream

Lesson Learned: 
     As Americans we are truly blessed to have the freedom to express ourselves. A thing such as simple as music is forbidden in Iran, and thankfully not stoping the citizens who are continuing to strive for their dreams not matter what. 


Description: 
     An article from the New York Times written by Freya Peterson, revealed the life-long dream of a rock band named Hypernova, getting their moment in the spotlight at a bar in New York . They were extremely excited to exhume their music to American. Ramm, one the band members stated "It may not seem like much to you, but it's a dream to be here," coming from Iran in which hindered their progress as a musical group trying to make it big in a new area. Raam, one of the band members, made it clear that what they do in Iran is not as easy as it seems, having just a simple thing as performing lead to arrests, fines and even public flogging. Their love, rock music, was banned in Iran from the president, Mahmoud Ahmadinejad. Hypernova jeopardizes their lives every show they play, some members even having to change their name so they aren’t recognized at home for taking part in something Iran disapproves of. This challenge doesn’t mask their progress, instead it makes the experience even more rewarding and worth it in the end. In Iran the kids are reaching out, trying to make political and social change by doing the things that normal kids do, being one of the main reasons that this band has fallen in love with rock. They speak little about what is happening in Iran, nonetheless letting their music do the talking for them. (Peterson 1)

Evaluation: 
     This article from the New York Times is a very reliable source. It shows the reader that the people in Iran are not just sitting around waiting for the government to change their minds about music in Iran. Instead, they are leaving their loved ones behind to have a better life in America, a place where they can express themselves through music and not be penalized for being artistic. The article within itself is a very good article, allowing the reader to feel the incentive to never give up their dreams due to the fact that kids around the world are dying to have a chance at what some would throw away. I wouldn’t know what I’d do if I was in the position of these boys, risking their lives for what they love to do. The article not only gives a glimpse into the lives of four very courageous boys, inspiring musicians in their positions to take a stand and show the world what they have in store.

Citation: Peterson, Freya. “Iranian Rock Band Has a New York Moment.” New York Times. 28 March 2007. Web. 8 November 2011.

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Shahin Najafi - Famous Protest Song

Classical Persian Music!

Young Iranians expressing themselves to Government!

Description:     
     During June of 2009, Iranians made their way to the streets to express to the government on how they felt about the upcoming presidential election. Young Iranians are heading out to protest their beliefs that the election is fraudulent, nonetheless not meeting their needs as citizens plus an economic downfall exhuming hatred against the president and future presidents (Moaveni 1). The government on the other hand wanted to put their point across to the citizens in the street that they had had enough, killing some and injuring others. Young Iranians wanted to make their voices heard, putting into play a wave of "resistance music", proving that they were not going to just back down. Leaders of Iran are trying to put an end to this nonsense, ultimately trying to block websites used to download music and social networking sites that give way to helping coordinate protests and exposing the truth. Music is still trying to make its way by any means to individuals throughout Iran. A popular protest singer named Shahin Najafi, touches the young souls who live in Iran with his words and verses. The government has reached its breaking point, banning Najafi, warning him to never come back. On the other hand,  if he does he will certainly have to pay the price! (Moaveni 1)

Evaluation:
    This journal article was a very useful source, due to the fact that it not only explains how the people of Iran are trying to keep music alive, but also how the government plays a large part in not allowing their citizens to express themselves. It provides the reader to put themselves in the shoes of the citizens living in Iran. Unlike Iranians, Americans express themselves through music by always having their iPods, mp3 players or the radio basically helping them get through each day. Music proves to be a focal point in this article by allowing the reader to interpret how precious music is in the eyes of an Iranian. All they want is the same freedom as the people around the world. Some may argue and  believe that the people of Iran should not be protesting in the streets and causing riots.The strongest point in this article is showing the reader what will happen if things get out of hand, just how Shahin Najafi will be rewarded with beatings if he decides to return. The reader would of never expected that to happen just for the sake of music. How do you blame these people for wanting to have some artistic freedom by means of music?

Citation:
Anonymous. (2010). Iran's songs of protest. New York Times Upfront, 143(1), 5.
Anonymous. "Iran's Songs of Protest." New York Times Upfront 143.1 (2010): 5. Print.
Moaveni, Azadah. Why now?. The Guardian, 2009. Web. 11 Oct. 2011.

Check out the New York Times to find the Journal Article!
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